AVA
Hazard of the web brought me there, and the surprise was intense, this is what music means to me: a journey between atmospheres and moods that brings to me joy and creativity when i create. That's a gem. Thanks Shane.
Pre-order of HAPPENSTANCE. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
Purchasable with gift card
releases June 6, 2021
£8GBP or more
Record/Vinyl + Digital Album
HAPPENSTANCE on vinyl, with sleeve designed by Sam Bristow. Photography by Zivanai Matangi. Mastered by Sam Annand.
Includes digital pre-order of HAPPENSTANCE.
You get 1 track now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
Test pressing of HAPPENSTANCE, mastered by Sam Annand and pressed in Germany by Optimal. Minimal artwork, same lush sonics.
Includes digital pre-order of HAPPENSTANCE.
You get 1 track now
(streaming via the free Bandcamp app
and also available as a high-quality download in MP3, FLAC and more), plus the
complete album the moment it’s released.
We're extremely proud to present HAPPENSTANCE, a sprawling jazz-concrète project produced by Johannesburg composer and double bass player Shane Cooper. Approached in 2020 by interdisciplinary arts space The Centre For The Less Good Idea to create audio work, Cooper drew on his network in the thriving South African jazz scene, bringing in Bokani Dyer (piano), Cara Stacey (bows), Daliwonga Tshangela (cello), Gontse Makhene (percussion), Jonno Sweetman (percussion) and Micca Manganye (percussion).
Two days of free-flowing composition, improvisation and investigative recording followed, with the results captured on a vintage reel-to-reel tape machine. This tape was fractured and reassembled by Cooper, bringing into surreal focus tiny ecosystems of sound, like curls of static clasped from the air and brought under the magnifying glass. The results - two long, standalone pieces - are dizzying, weightless; musique concrète melding with jazz-schooled virtuosity in a dubbed out bricolage of interludes and u-turns.
Recommended for fans of Abdullah Ibrahim, Tony Allen, Floating Points and Daphne Oram.
Incubated and Commissioned by | The Centre for the Less Good Idea
Founder & Co-Director of the Board | William Kentridge
Founding Animateur & Co-Director of the Board | Bronwyn Lace
Animateur for the Centre | Phala Ookeditse Phala
Artwork by Sam Bristow. Vinyl mastered by Sam Annand.
A really interesting selection of modern jazz from South Africa. Its opened my eyes to artists I’ve never heard of. Particularly Thandi Ntuli. Love the artwork too. Crinklechips
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